We have relaunched our 3D printing service.
Please note that our 3D printing service is only available to members of Oxford University. Unfortunately, we do not have the capacity to offer printing services to external organisations, businesses or private individuals.
Who? What? How did we print it? |
Who? What? How did we print it? |
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Who? What/Why? Usually a rough alignment is enough to get a signal from the trapped ion, and then one of the beam positions is adjusted to maximise this signal and thus fine tune the alignment. Once one of the beams has been aligned properly, all that remains is to make all the other beams hit the same spot... but how to do this? We temporarily reflect the beam outwards with mirrors (C and E) on to a CCD camera (F), and line the beams up like this. This used to be done with a hand inserted mirror, however, our latest design is much more compact, so it's hard to avoid putting fingerprints on optics - 3D printing allows us to mount a servo motor (D) to rotate the mirror in for us. Moving to a motorised system also means that we can automate it to perform daily checks on the beam positions. |
Who? What/Why? How did we print it? |
Who? What? Why? How did we print it? |
Who? What? Why? How did we print it? |
Who? DPhil candidate in Medical Sciences, Tatjana Sauka-Spengler Lab What & Why? How did we print it? |
Who? Emeritus Professor of Physics and Emeritus Fellow of Jesus College Oxford What? You can find more of these models on Professor Glazer's website: http://www.amg122.com/3dprinting/ Why? How did we print it? |
Who? What? Why? How did we print it? |
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Who? What? Why? The sheath fold analysis constituted part of my Master’s research thesis on processes of deformation in the continental margin of Oman, which occurred during subduction and subsequent exhumation from the subduction zone in the late Cretaceous. How did we print it? |
Who? What? Why? Custom fitted traditional prosthetics can cost thousands to produce but with a 3D printer you can produce many very quickly, all custom fitted and for a cost of around £30-50. How did we print it? |
Who? What? Why? How did we print it? |
Who? Nature, Society and Environmental Policy What? Why? How did we print it? |
Who? What? Why? How did we print it? |
Who? Department of Chemistry & RSL. What? Why? Inspired by the departmental collaboration with Periodic Tales: The Art of the Elements at Compton Verney Art Gallery, a collective of members of the staff and associates of the department worked in their spare time to make ‘The Knitted Periodic Table.' This work looks to the Arts and Crafts movement as a source of guidance. The movement, which grew out of a concern for the effects of industrialisation and stands for the traditional craftsmanship, also has particular ties to Oxford. John Ruskin, a keen proponent for the unity of art, society and labour, was founding member of both the Art School at Oxford and the movement itself. This piece therefore presents a contrast between the industrialised processes of chemical research going on in Oxford laboratories and the hand-fashioned tasks of knitting and crochet, reflecting on the University's long history as both a place of scientific advancement and an integral part of the UK’s artistic community. How did we print it? |
Who? What? Why? How did we print it? |
Who? Department of Plant Sciences What? How did we print it? |
Who? The Ritchie Group (Department of Chemistry) What? Why? How did we print it? |
Who? What? Why? The Science library provided advice on appropriately scaling my design, so it’s a perfect size for use with Lego people. It’ll be a really useful tool for my research." How did we print it? |